![]() ![]() A frenzied mosh pit was forming about twenty feet to my right, but I was more fixated on Kanye snarling his way through a rendition of “Freestyle 4,” a song that so confidently meshes horror movie theatrics and penis references that it almost ends up making sense. His platform (which reportedly took more than eight months to design) was suspended about 20 feet above a general admission crowd, which followed him dutifully around the Bankers Life Fieldhouse. I’d purchased floor seats, and was therefore a part of the fluid, frenetic mob that formed under West. They were two people in similar seats experiencing a wildly different concert. ![]() ![]() Alex Swhear bought the chain that always gives him back pain.Ībout halfway through the Indianapolis tour debut of Kanye West’s Saint Pablo tour on Thursday night, I took a break from gazing up at the floating stage to check my texts. I’d received two messages, both from people sitting in the upper level: one from a friend who was angry that they couldn’t see the performer, and another from a friend astonished at his fortune-he had expected an unimpressive view due to his cheap tickets, but by his estimation, he had accidentally ended up with the best vantage point in the building.
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